dsgn | I have pop — street furniture

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Idea · furniture design

Designer · I Have Pop

Source · blokkokin.it

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The idea is to create design objects (with high prevalence for chairs) with material from the road, metal nets, signs, pallets, walls and all that you can make an interesting piece of design. 

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The project is on the border between the urban art and design semi-industrial and even if not new (the basic principle is the same bags Freitag ), the study of Amsterdam, however, has found a way to re-invent objects without losing the quality and design.

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designed by I Have Pop

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grfk | carita: beauty collections identity – kōbōse

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Special advertising artwork for all CARITA collection treatment.

Starting for new product identity (by kobose) for Shiseido French brand, kōbōse designed 6 different colored artwork for each collection.
History archive had an estreme value-support during concept phase.

Soon shooting about the exhibit Parfumery Mazzolari @ S.Babila Milano.

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We reasearch, recoup and remaster all CARITA history archive images: women full of poetry, elegance e famous beauty testimonial.

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retail | digital library - YTA: "your room into the city."

pckgng | fisherman:" for fish and for man."

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the dieline says

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“Rubber boots are treated as purely utilitarian footwear by Kazakh anglers, so the attention is mostly focused on functional characteristics of the product.

Very often consumers are not looking for stylish or beautiful Wellington boots and, therefore, often have a difficulty in selecting among the product produced by different manufacturers.

The client asked agency to create a package for rubber boots that would highlight the advantages of this utilitarian footwear.

The package should stand out on a shelf, attract attention and encourage consumers to purchase “Fisherman”.

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SolutionRubber boots are underestimated product in many respects.

Everybody is aware of their primary function - protection from water.

However, there are many advantages that are not obvious at the first glance and consumer doesn’t even think about.

Standard fishermen boots are able to protect the wearer from a lot of dangers:- Environmental debris (glass, wire, etc.)- Natural hazards (sharp rocks, driftwood)- Biological threats (dangerous and predatory creatures) - Chemical hazards (oil, gasoline, acids)- Electrical hazards

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After analyzing how all these threats can be visually represented we realized that probably the best way to communicate protective functions of the boots was through….  images of fish! It is a very exciting topic that is very familiar to anglers and an excellent opportunity to combine several types of risks in one image.

For example an electric eel symbolizes biological and electrical hazards.

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The package itself is designed as a mini-stand, which creates an illusion of boots immersed in water.

This way the consumer can see all of the protective properties of the boots. The upper part of the package shows that often you cannot see what is really happening under water because of the glare and ripples.

The message we want to convey to a consumer – though there are a lot of hidden underwater hazards you are safe with “Fisherman” rubber boots.”

Design  GOOD! Agency

Creative Director Igor Mitin

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dsgn | leaf tie cable organisers - Lufdesign: "Poetry never dies."

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dezeeen says

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pckgng | john & john potato crisps: " Colour Chip."

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dezeen says

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One of the reasons I love Pinterest is coming across stand-out packaging like these John & John Potato Crisps. Lining them all up together creates such a bold graphic statement.

The one thing that stands out is #6.

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I’m not sure why they chose to use color on the vegetable illustration while all of the other’s stuck the black lineart.

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I cannot find a designer or design studio for them, but they are distributed by Market Grounds, a company that develops and produces food and beverage products, so perhaps they designed them in-house.

Designed by Peter Schmidt Group

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retail | Illy shop - Caterina Tiazzoldi:" coffee white cube."

grfk | officina1939 - kōbōse

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print series for officina1939 by kōbōse

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illstrtn | six ways of looking at a piano - ivan chermayef

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containerlist says

Chermayeff & Geismar Collection: Ninth Van Cliburn International Piano Competition folder, 1993.

Ivan Chermayeff frequently uses collage and collections to create texture and dimensionality, continually exploring modernist ideas about bringing process to the forefront.

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He produced this package of brochures for the Ninth Van Cliburn International Piano Competition in 1993.

The piano abstractions are rendered in the form of his trademark torn paper collages – each is playful but instantly recognizable.

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Chermayeff & Geismar Collection: Ninth Van Cliburn International Piano Competition, 1993.

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In 2009, Chermayeff designed the poster for the thirteenth competition, incorporating the work of his old Yale instructor, Josef Albers.

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Blog | takecareofyoureyes now is on FB: U like it?

intrr retail | zmianatematu - xm3: "food in curved"

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dezeen says

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The timber stalactites of an undulating cave-like ceiling bear down around the bar of a coffee shop in Łódź, Poland.

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Light bulbs dangle from between the curved plywood ribs of the Zmianatematu cafe, which was designed by Polish architects xm3.

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Shelves are slotted between ridges in the wall, behind a bar that is also made from the ribbed timber.

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Patches of plaster are visible on walls, which are intentionally left unfinished. See our archive feature on unfinished interiors here.

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Planes of glass atop wavy plywood grids provide coffee tables.

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Photography is by Paulina Sasinowska.

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Here are some more details from xm3:

Restaurant: “zmianatematu.”, Piotrkowska 144, Łódź

The city of Łódź located in the centre of Poland is one of three biggest cities in the country. Before the II World War a highly prospering city with lots of industries, now is troubled with poverty and social problems. Although it has high aspirations to be a cultural oriented city of artist and students. Aiming to be a design, fashion and film capital of the country, it acquires the concern from many great architects and artists who are willing to create concept designs for a delayed rebirth of the city i.e.: Daniel Libeskind, Frank Ghery, David Lynch to name a few.

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The restaurant is located in the very centre of Łódź – on the most important street in the city – Piotrkowska. The street – once a symbol of wealth of the one of the richest cities in this region of Europe is now an axis of mostly poor and degenerated district with monumental architecture from before the II World War.

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With a very small budget we created an outstanding space to host the artistic and culture parties for the creative youth of the city. The owners of the restaurant want to propose a space for happenings, art-exhibitions, and various art-oriented venues.

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As young architects from the Capital City Warsaw with the local Łódź art-oriented youth investors we tried to aim at city’s condition and aspirations and create a reminiscent of the cutting-edge environment which has a connection with the city identity. The city’s name translates literally as “a Boat”. Inspired by a Boston BanQ restaurant we tried to create a blobish form similar to the boat roof form which eats in the old monument-building’s space.

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The building itself dates to the end of XIX century. The elevation is a typical Neo-classical style. During the years the ground floor has changed function several times. Now being empty and unfinished the inside offered us the space to take and adjust. We decided to leave it as raw as it was possible. The proposal was to make the floor from the epoxy mass, leave the walls in raw roughcast and take the electrical installation out and leave it on the walls covered in steel, black tubes.

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The only element added is this alien form, a “hub” that creeps to the volume from the inside of the building, which then creates the bar and divides the space in to several functional areas.

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We can also see another division. This what is new and touches with the recently renovated external elevation of the building (the outside classical world) is new and white. The internal: dividing and construction walls as well as ceiling are in raw roughcast.

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The “hub” itself is cnc cut plywood. It is designed by sectioning the form, generated by adjusting to the space and to all installations hidden by it. The sectioning and preparing for fabrication was done in Rhino/Grasshopper software. During the prototyping phase we decided to do some additional furniture for the restaurant as the mock-up for the real structure.

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The furniture designed for the interior are the coffee tables, made of sectioned grid plywood and the bench which morphs from the bar counter.

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Author: xm3
Project team: Maciej Kurkowski, Julian Nieciecki, Mateusz Wójcicki

Location: Łódź, Poland
Client: Eudezet S.C.
Total Area: 104 m2
Usable Area: 62 m2
Volume: 369 m3
Design: 2010
Construction: 2011

see u soon | have a good holiday

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Have a good holiday and see you on september.During this summer, please, take care of your eyes.

S.
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illustration - kobose

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grfk | ancient is our future

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Ancient is our future - studio project - kōbōse

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grfk | dan mountford: "soft is cool."

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Soft Elegant, cute, extemporaly cool. Dan Mountford is a young british designer and student. 

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He has small but high profile portfolio on his personal flickr account. Worth to visit and come through his latest artworks.

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